EBITART
OakMan — Stockholm / Berlin / Paris

EBITART

The balance sheet, hung on a wall.

Paintings, photographs and worn objects by OakMan.

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Capital builds the room.

The room becomes an image.

The image becomes a thing you can hold.

The thing holds its number.

Chapter I — Clubs · Enter the room

Plexi. Laser. Bass.
Held still.

Bass / 04:11
01 — Bass

Bass / 04:11

The moment after the drop. Held still.

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Blue Room / Berlin
02 — Blue

Blue Room / Berlin

Laser, smoke, bodies. One frame.

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Red Hour / Paris
03 — Red

Red Hour / Paris

Red wash. The room turned inside.

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Crossfire
04 — Crossfire

Crossfire

Red against blue. Two rooms, one image.

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EBITA — handpainted on lacquered panel
Featured — On the wall

EBITA / Repetition I

Year
2024
City
Stockholm
Medium
Acrylic, spray, epoxy on panel
Size
160 × 160 cm
Edition
01 / unique
Status
Held

A balance sheet written by hand. The word repeated until it stops meaning earnings and starts meaning belief.

Ask the studio →
Method

Hand on the canvas.

Camera on the floor.

Resin sealing the night.

Number stamped on the back.

Capital → Room → Image → Object → Number
Chapter V — The unboxing

Black fabric.
Warm light. First sight.

Every EBITART arrives in a hand-stitched black fabric pouch, floating in a matte black frame. The first time you see it is the first time it sees the room.

Ready to hang. Frame and fabric included. Nothing else needed.

By invitation

The door is small.
The room is dark.

Leave a number. We answer in seven days.

1 / 7
You read — Thesis
Step 2 — Enter the room

Next — Clubs.

The room. The bass. What the eye meets first.